Ref.11295
PERRET & VIBERt (attributed to) - Japanese style coat hanger

This important coat and hat rack, made out of carved sycamore, was made in the 19th century. Its realization is attributed to the parisian store Perret et Vibert. Topped by an imposing dragon, it has many hooks and a tablet to hold umbrellas. The asymmetry of the furniture, the openwork decoration and the dragon are quite characteristic of the so-called "Japanese style" furniture made at the end of the 19th century, notably by the Maison des Bambous by Perret and Vibert

Ref.15025
Pierre-Adrien Dalpayrat, Small Glazed Stoneware Vase, late 19th century

This glazed stoneware vase was crafted by Pierre-Adrien Dalpayrat in the late 19th century. Pierre-Adrien Dalpayrat (Limoges, 1844-Paris, 1910) is recognized as one of the most significant European ceramists of the late 19th century, particularly for his mastery of flamed stoneware. He worked for various faience factories before establishing his own workshop in Bourg-la-Reine. Dalpayrat’s near-exclusive avoidance of the potter’s wheel showcases his exceptional skill in the art of glazing. He often collaborated with Adèle Lesbros, and their works were met with considerable acclaim at various exhibitions. The vase’s shape is inspired by a gourd, a common motif among Art Nouveau ceramists. The bulbous body culminates in a narrow opening, mimicking the natural form of a stem. The glaze is a testament to Dalpayrat’s extraordinary technical prowess. The rich oxblood red, a signature of Dalpayrat, transitions into a matte gray on the body, with intermediate hues of blue and yellow. Subtle white scratches in relief enhance the already profound texture and depth of the piece. Dalpayrat’s pomegranate mark is visible on the underside of the vase. The Gourd-Shaped Vase housed in the Musée des Arts Décoratifs in Paris, featuring similar color schemes, is another striking example of the artist’s inspiration and technique.

Ref.15895
Still life with pomegranates and grapes, Italian school, 17th century

Oil on canvas depicting a strikingly realistic still life with two whole pomegranates and a third split open to reveal its vivid red seeds, resting on a stone ledge. In the background, clusters of purple grapes and golden vine leaves complete the composition, immersed in dramatic chiaroscuro reminiscent of Caravaggesque painting. The treatment of light and texture highlights the contrast between the rough skin of the fruits, the shine of juicy seeds, and the softness of aged foliage. The rich palette of ochres, deep reds, and muted greens reflects the style of Baroque naturalism, particularly associated with the Neapolitan or Roman circles of the 17th century. The carved giltwood frame features stylized acanthus leaf motifs, enhancing the refined character of the piece.