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Style Art Nouveau / Ref.4430

ÉMILE MULLER & Cie – GRANDE TUILERIE D’IVRY, Exceptional Art Nouveau fireplace in enameled stoneware, circa 1900

Dimensions:
Width: 55'' ⅛  140cm
Height: 46''   117cm
Depth: 20'' ⅞  53cm
Inner width: 22''   56cm
Inner height: 22'' ⅞  58cm

Origin:
20th century.

This exceptional fireplace signed by Emile Müller was made in enameled stoneware around 1900.
It's the "Vigne vierge" model that we find illustrated in the tile factory catalogue. Its jambs with curved lines that are going fully over the edges of the entablature are adorned with small leaves, while the entablature depicts a beautiful frieze of vine leaves. Typical of Emile Müller's production, the colors blue and red are mixed up in a random way while creating iridescence with metallic reflection.

Émile Müller was the architect of the workers housing estate in Mulhouse. He founded in 1854, the “Grande Tuilerie” in Ivry Port (Seine). At first he used ceramic products on buildings and industries, then in 1884, he developed an enamelled Terracotta, which he used on architectural decoration and artistic reproductions. His prestigious works, such as these, went on to achieve great recognition, both in France and abroad. The “Grande Tuilerie” won awards at the Universal Exhibitions in Amsterdam (1883), Anvers (1885) and Chicago (1893). At the World's Fair of 1889, the “Grande Tuilerie” was a huge hit and received a grand prize. For this same exhibition, Émile Müller built the stoneware balustrades for the Eiffel Tower. It stood out from its competitors because it used porcelain stoneware tiles, a material which went on to open up new markets for businesses. When Émile Müller died in 1889, his son, Louis took on running the “Grande Tuilerie”, under the name “Émile Müller and company”. The society became “the largest factory of ceramic products for buildings, industries and works of art in the world”. The “Grande Tuilerie” quickly specialised in architectural ceramics, which developed over fifty years, from 1870 to 1914. Émile Müller, then Louis, went on to work with architects, including Hector Guimard.For example in 1871 he made the earthenware polychrome décor which covered the metallic structure of the windmill of the Meunier chocolate factories in Noisiel, designed by architect Jules Saulnier. Other works such as the varnished tiles made for the Beaunes Hospices and the tiles decorated with fleurs-de-lys made for Mont-Saint-Michel took place in this competition.

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