Ref.12039
Etienne Maurice FALCONET (from) - Venus removing Cupid's quiver, in Carrara marble

Sculpture in white Carrara marble representing Venus removing Cupid's quiver, from Etienne Maurice Falconet, signature of the founder F. BARBEDIENNE editor.

Ref.13726
Pair of antique crystal lamps

This beautiful pair of lamps was made of crystal in the late 19th century. The lamps are composed of crystal pendants of different shapes and sizes attached together by iron strings, thus taking the shape of splendid vases flanked with two handles. Each vase is surmounted by an important crystal point and rests on a circular base made of Ver de Mer marble.

Ref.13600
Edmond Anne Antoine TAPISSIER « Les sirènes » Salon of 1896

This large painting was made by the painter Edmond Tapissier between 1893 et 1896. The artist depicts here a scene on a bank where three naked young women watch a boat far away. The composition is astonishing as the whole balance of the painting, which was tipping to the left, is re-established by the monkey and the parrot. The harmony of the colors is brought by the strength of the peacock and the parrot. Also, the pine branch which is going down the sea breaks the monotony of a too important stretch of water.Edmond is the second son of the silk merchant Antoine Tapissier and Benoite-Angélique Towex-Comte. Antoine Tapissier who stayed widower put his sons in the Collège des Chartreux in Lyon. In 1879, Edmond was 18 years old, he’s an elegant and cultured young man who is seeking for his path. He starts by following classes with the painter Chatigny who was the student of Picot and Chenavard. Chatigny knew Ingres, and was friend with Henner, Bertrand, Courbet and Manet. 1882 was the year of the drawing from nature learning and the first mural decorations. The following year he leaves for Paris and dedicates himself to the copies of the Italian and Flemish old masters. From 1883, the newspaper started to speak about him and recognize that “there is hope”. During the Autumn 1887, he integrated the Ecole des Beaux Arts and entered Cabanel and Cormon’s workshops. Tapissier made his first exhibition in the Salon in the same year. It’s in the period of the portraits tainted with symbolism that he’s making his debuts. He’s received by Puvis de Chavanne to the Society des Artistes Français in 1891. In the same year he decorated the chapel in Saint Étienne and composed there three large scenes of 3 meters, giving him appetite and knowledge for the large compositions.

Ref.11379
Gabriel Viardot (attributed to) - Japanese style bed with mother-of-pearl marquetery

This bed was made of tainted sycamore in the late 19th century in the taste of Gabriel Viardot or Maison des Bambous production. The bed is surmounted by a canopy with sculpted japanese motifs of which one of the mount in adorned with a coiled cherry tree branch. the headboard shows a sculpted decoration of bird in a flowered branched surrounding and mother-of-pearl motifs of flowers and foliages. The foodboard shows a cared decoration of plants and clouds, a dragon in relief and mother-of-pearl and bone marquetery.

Ref.14966
Albert-Ernest CARRIER-BELLEUSE, CHOISY-LE-ROI Manufacture, Bust of an Oriental Woman in glazed earthenware

This bust was created by Albert-Ernest Carrier-Belleuse for the Choisy-le-Roi faience factory in the second half of the 19th century. Albert-Ernest Carrier de Belleuse, known as Carrier-Belleuse (1824-1887), was the most prolific sculptor of the Second Empire. He was quickly influenced by the importance of decorative arts and worked with Ferdinand Barbedienne on the creation of decorative objects. He achieved great success at exhibitions and received numerous official commissions. He produced many busts of beautiful and elegant young women, including a Bust of a Woman Wearing a Diadem held at the Orsay Museum. He also provided bust models for the Choisy-le-Roi Faience Factory, where his son later became the artistic director. This bust of an oriental woman, created from an original sculpture signed by Carrier-Belleuse, was made for this manufactory. Titled The Bust of an Algerian Woman, it was auctioned at Sotheby’s in 2017. It is one of his rare orientalist works. The desire to depict a woman in oriental costume aligns with the idealization evident throughout the sculptor's work. The smiling woman shows her teeth. Her long, loose hair, adorned with multiple sequins along the edges, rests on her shoulder and is topped with a hat featuring orientalist motifs. Her bare chest, partially covered by a crumpled fabric and accentuated by the two rows of her necklace, exudes great sensuality. The colorful costume draping her shoulders is highlighted by the vivid colors and brilliance of the faience. At the base of the bust, a gilded belt emphasizes the richness of the costume. The bust is signed on the back and bears the mark of the Choisy-le-Roi manufactory.