Ref.11470
Beautiful cast iron fireback with the wedding coat of arms of the marquis de Vichy and Claude-Josèphe-Marie de Saint-Georges

Cast iron fireback with the wedding coat of arms of Abel-Claude-Marthe-Marie-Cécile de Vichy, said the marquis de Vichy (8th of october 1740 - shot down on the 15th of october 1793 in Lyon), comte de Champrond, guidon des gendarmes de Bourgogne et du Berry en 1769, chevalier de Saint-Louis with Claude-Josèphe-Marie de Saint-Georges (21st of november 1742 - 26th january 1775), married on the 5th of december 1764. Ecu de gauche : de vair plain. Ecu de droite : d'argent à une croix de gueules Couronne de marquis, collier de l'Ordre de Saint-Louis, tenant et support : un homme sauvage et un lion. Inscription : TANTUM VALET QUANTUM SONAT

Ref.12033
Théodore DECK (1823-1891) - Round ceramic dish with oriental decoration of a vase of flowers and foliage on yellow background

Theodore DECK (1823-1891), large round slightly hollow glazed earthenware dish with oriental decoration of a vase of flowers and foliage on a yellow background. Signed on the reverse.

Ref.13206
Cast iron fireback with the wedding coat of arms of Joseph-François de Montecler et Hyacinthe Menon de Turbilly, 17th century

Cast iron fireback with the wedding coat of arms of Joseph-François de Montecler et Hyacinthe Menon de Turbilly. Joseph-François de Montecler, marquis of Montecler, (1694-1766) married in 1716 Hyacinthe Menon de Turbilly (1699-1742), lady of La Rongère, of who the marquis de Sourches praised the beauty.

Ref.14791
Persian vases from the Manufacture de SÈVRES, a historic model

Our pair of vases are among the beautiful pieces of bourgeois decor from the Belle Epoque. The model, known as the “Persian Bottle”, was created by the Sèvres Manufacture in 1874, based on a Persian (metal) prototype. The Manufacture de Sèvres produced other examples of this model, with variations in color and ornaments. It was chosen by Ernest Carrier-Belleuse, a renowned sculptor who took over as artistic director of the Manufacture between 1874 and 1887. The particularity of the Persian bottle is that it has a very elongated neck, made of white porcelain generally decorated with patterns or flat areas of blue color. The pair of vases we are presenting was made in 1887. They are in plain cobalt blue glazed porcelain. The decor, composed of fine golden borders, dates from 1888. Blue is considered the favorite color of ceramics from Persia, a culture which was of great interest to earthenware makers in the second half of the 19th century. The era, tired of neo-Greek and neo-Etruscan fantasies, was indeed keen on exotic and oriental references.

Ref.15233
Émile GALLÉ, Earthenware vase with eggplant glaze and gold decoration, circa 1885-1889

This earthenware vase was created by Émile Gallé between 1885 and 1889. Considered the founding father of Art Nouveau, Émile Gallé took over the factory founded by his father and gave it significant impetus, which he supported throughout his life with ever-renewed creativity. This large vase with its eggplant glaze is adorned with hollows alternating white with green vegetal motifs and green with white decorations, both highlighted with gold. The motifs on the neck, alternating with a certain regularity, echo this design. Inside, the glaze features various shades of green also present in the external decorations. Thus, the rich overall composition presents a beautiful homogeneity. The signature under the base of the work indicates that it was made in the second half of the 1880s by the artist, during a period when Gallé was influenced by East Asian art, which likely inspired the eggplant color of the vase’s glaze.